Tag: photography

  • Bateshwar Temples – An unfinished story of a phoenix

    Popularly known by name Bateshwar or Batesara , this group of temples is an incredible but barely known place within the deep ravines of Chambal valley. The valley which has its history filled with stories of dacoits.

    The place won’t give away much from a distance but once you get closer, what awaits you is a sight that is bound to fill you with awe.

     

    restored temples aligned along stairs

    This group of temples falls in Morena district, Madhya Pradesh. Don’t confuse it with Bateshwar temple, Agra, UP which is on banks of Yamuna River. That one is a complex with 101 small Shiva temples, painted white and regularly visited by devotees.

    On the other hand, Bateshwar temples, a group of about 200 mini sandstone temples spread over 25 acres and built on a slope of an isolated hill near the village named Padavali, of Morena District. It is assumed to have been  named after the Bhuteshvar Temple, the largest Shiva temple at the site. Though very little is known about the history of this place.

    As per the ASI information board, the temples which are dedicated to Lord Shiva and Vishnu were built around 6th-9th century AD during the post-Gupta and early Pratiharas period.

    It also mentions that the earliest of temples are the ones with plain square roof while the ones which were built later have a shikhar and detailed carvings. Most of the temples also have a garba griha or sanctum sanctorum with shivlings.

    restored temples at bateshwar group of temples,morena

    Before the main temple complex starts there is a restored Vishnu temple on the same hill. It doesn’t have a shikhar but its walls are filled with beautiful carvings.

    The surrounding area is covered with trees which keeps the place full of beautiful birds especially peacocks and parakeets. One can often spot the peacocks casually perching and dancing around the complex.

     

    Entry to temple complex through restored pillars

    The temple area starts with a garden which is pretty well maintained by MP tourism board. Then you come across two ornate pillars which have been reconstructed by putting together the broken pieces. Their positioning is such that it serves the purpose of the temple entrance.

    All the restored small temples are lined along several steps on the hill slope. The compound also has two stepped water tanks. It is said that they are filled with water all year round and never dry up even when there is no rainfall in the region.

     

    View of temple area along with the stepped water tank

    The numbers written on temple stones is how one figures out that these pieces have been put together to restore the structures. Though it’s disheartening to see hundreds of intricately carved, good condition stones scattered all around the area. Some of these unfinished mini temples still have iron fixtures around them which must have been put during the site restoration.

    Iron fixtures supporting the  partially restored temples

    None the less, the site has a charm that is bound to impress anyone who comes here.

    There is also a Hanuman statue which sticks out amidst these old temples because it is covered with vermilion. As told by the caretaker, locals come here to worship this idol. It is said to be one of its kind, with Hanuman stepping on two figures who are considered to be God Kamdev and his counterpart Rati.

     

    Hanuman Statue at the temple site

    MP tourism has kept the place very decently maintained despite the neglect it has faced in recent years since its restoration stopped.

    One can get to know more about the place from the caretaker. He has few booklets which contain a lot of site photos showing the place before and after its restoration.

    Though these temples are assumed to have been destroyed around the 13th century but the carvings and sculptures are well-preserved with no major disfigurement.

    Even with considerable breakage, there are no visible signs of vandalism as is the case with invaded temples.

    A possible reason for this is the fact that this valley is surrounded by hills and the whole area is covered with vegetation which probably kept these temples hidden from common sight.

    This is the reason that archaeologists and historians believe that the cause of temple destruction has to be an earthquake.

     

    Breakage to the carvings  suspected due to earthquake

    The earliest mention of this site comes in the reports of Alexander Cunningham in 1882, who was the then director-general of the Archaeological Survey of India (ASI).

    It was declared by ASI as a protected site in 1920 and steps for its conservation were initiated. Not much could be done for many years to come as the region was ill famous for the terror of dacoits and was considered unsafe.

    But the story of Bateshwar had a new chapter waiting to be written for it when K. K. Muhammad was posted as the Superintending Archaeologist, Bhopal circle, ASI.

    If you look up on the internet you will find videos where Muhammad is seen recalling his experience of Bateshwar. When he first visited the site around 2004 it was nothing but a huge pile of rubble absorbed by the jungle with only 10-12 temples intact and rest all broken down. This is when he decided to start the seemingly impossible project of piecing together the ruins and bring back the original grandeur of temples.

    Semi restored Vishnu Temple at the end of the temple site

    “If there are two sites in India that can rival Bateshwar in its grandeur, they are Aihole in Karnataka and Jageshwar in Uttarakhand,” says Muhammad. While Aihole and Jageshwar have about 120 temples each, Bateshwar has about 200 mini temples in its complex.

    But the biggest hurdle in restoration was the fear of the dacoits who used the site as their hideout. Though by the time ASI decided to work on this site; most of the gangs were eliminated by the police. But Muhammad knew that nothing was possible without the support of the dacoits, as this area was still under the control of one of the last active dacoits of the region, Nirbhay Singh Gujjar.

    In one of its kind of negotiations, Muhammad convinced the famous dacoit that it was his ancestors of Gurjara-Pratihara dynasty who built the complex and these temples needed to be restored and shown to the whole world. ASI officials say that Nirbhay Gujjar was convinced and his gang gave much-needed help and support for the restoration work until the dacoit was killed in 2005 in a police encounter. It is also said that Nirbhay provided protection to the workers at the time of site restoration.

    During Muhammad tenure in the region between 2004-2008, 60 out of  200 temples were restored.

    But this temple complex which stood safely for decades under the shadow of dacoits suffered tremendously at the hand of mining mafias once the police cleared the region from the gangs.  Due to ongoing blasting in nearby areas the temple ruins again began to crumble.

    Temple pieces scattered all over the complex

    The surrounding area was encroached by the mafias and stone mining went around relentlessly. As per K.K. Muhammad,  he approached several government officials to save the site from the hands of mafias to no result.  This forced him to write a letter to RSS Chief , Sudershan , urging him to persuade the ruling BJP Government and save this iconic heritage. It was then that the government took action to curb the menace of illegal mining. They also created a buffer zone of 750 metres around the site instead of the usual 200 metres prohibiting all form of construction activities near ASI sites.

    Till 2012 around 80 temples were restored after a lot of painful research and work on another 40 temples was half done as per K.K. Muhammad (He retired from ASI in 2012 but continued to keep a close eye on developments going on with Bateshwar).

    While moving around the temple complex you can’t help but acknowledge the degree of efforts put to bring back these ruins. You feel amazed that how one man’s persistent efforts can bring such a spectacular result.

    Even though it is a spectacular restoration site only time will tell whether this 1300-year-old temple complex with a history filled with glory, ruins and dacoits will be turned to dust by the human greed and lack of funds or will end its story as a phoenix rising from its ruins.

    dome of one of biggest restored temple with others small temple at bateshwar, morena
    View of temple site from the south end of complex

    How to reach the place –

    Batesara temples along with Mitawali and Padavli are located only a few kilometres from Gwalior and should not be given a miss if you are visiting the city.

    Gwalior is well-connected from Mumbai and Delhi through the air and its distance is only 370 km from New Delhi giving it good connectivity from road and rail transport with most of India.

    sign board showing distances of mitawali and padavali from bateshwar ,morena,India
    Signboard at bateshwar

    All three places can be easily covered in half a day.

    Batesara temple site doesn’t have public facilities. Nor there is any place where you could get drinking water or something to eat. Make sure to carry the above based on how much time you wish to spend at the place.

    Directions are easily available on Google Maps for the place. While coming from New Delhi one has to move towards Morena. Around 14 km away from it there is a place called Nurabad.  A diversion from the highway at this point leads you to Bateshwar. Though locals didn’t seem to know of the place until the turn at Nurabad. If you will ask for directions before Nurabad then there is a very good possibility that they will direct you to Bateshwar, near Agra, UP.

    I was short on time so I gave Padavali and Mitawali a miss. If possible, do visit the places as the information available online sure makes them interesting.

    Reaching here might be a problem as it’s very secluded. Although it’s better if one has a personal vehicle to reach the place. Few blogs do suggest that buses are available to reach this place but these aren’t frequent.

    Note – If your interest is piqued then  this video and  this video will take you through Muhammad’s journey of restoring the complex in his own words.

  • Butoh: going beyond the definitions

    Butoh: going beyond the definitions

    Back in April of 2017 during my time in Mcleodganj, Himachal Pradesh, the story is of one lazy afternoon that introduced me to Butoh.

    A friend of mine was intrigued by the idea to go and see a famous but controversial dance performance which was open only once a week for public viewing.

    For I was aware of only slim details about Butoh and most of it was seeming like hearsay, my interest and excitement was pretty obvious.

    I won’t lie but at first, the only concern was to get this unfamiliar name right and then bother about its how’s and why ’s!

    Hastily making my way to the venue, I was just in time for the first Butoh performance of the day which started with the clink of a Tibetan singing bowl and what followed was once in a lifetime experience.

    usage of flowers and animal skeleton as Butoh wedding decoration , Butoh International Festival  ,McleodGanj ,Himachal Pradesh,India
    Butoh wedding decoration , Butoh International Festival  ,2017

    Honestly speaking, I could pick only bits and pieces from the first act. To my understanding, the performer was expressing grief of losing a loved one, or this is how I interpreted it.

    And that is when it struck me, Butoh was not just a dance form but it was serving as a medium between the artist and the audience. One could freely interpret and connect to the performance in a way which is unique to each individual.

    Two more performances went by and in between, I managed to hungrily read everything that Google had to offer over Butoh.

    Meanwhile, my friend talked to a Butoh performer and she gladly explained to us how a Butoh dancer encourages the audience to explore their own thoughts while viewing the performances.

    The use of body paint and props in Butoh , Butoh International Festival  2017, mcleodganj,himachal pradesh,india
    The use of body paint in Butoh , Butoh International Festival  2017

    With each passing performance, my mind was giving way to my heart to freely interpret what it was witnessing. By the end of all performances, I was overwhelmed by the chaos witnessed.  It was something that I have never seen before.

    Butoh with all its extremities goes beyond to what meets the eye. I witnessed such range of emotions during the performance which I did not know could coexist.

    This brief introduction to Butoh made me read about it more and eventually write about how this colourful hilly town of Mcleodganj, ‘the Little Lhasa’ was serving as a flourishing ground for a distant land contemporary dance form.

    Image from a Butoh performance , Butoh International Festival,McleodGanj ,Himachal Pradesh,India
    Image from a Butoh performance , Butoh International Festival 2017

    Believe me, when I say, I was immensely curious to know more about Butoh. So here are few details about Butoh that I compiled from the undermentioned sources.

    Origin of Butoh:

    Butoh saw its rise in Japan after World War II.

    Japan has a traditional culture and when industrialization came in, it created a mixture of confusion which sank further in the society with horror caused by the atomic bombing. This made artists react to these circumstances in their own way.

    Butoh Founders, Tatsumi Hijikata and Kazuo Ohno, were both trained dancers.

    wonderful expression given by Kazuo Ohno during a Butoh performace
    Kazuo Ohno (1906-2010)
    Pinterest Image
    https://marceloevelin.wordpress.com

    In a culture distinguished for its visual harmony, the two dancers highlighted ugliness, replacing the conventional Japanese social mask of reticence with one of anguish and even terror. They were in search for something that could go beyond everything they’ve already seen, including their own performing practices.

    It was about throwing off the constraints of Western dance and the rigidity of the highly codified Japanese traditions.

    In the late 1950s, Butoh came out in Japan with a performance titled “Kinjiki” (“Forbidden Colors”) after a novel of the same name written by Yukio Mishima.

    The act featured choreographer Tatsumi Hijikata (1928-1986) playing an older man out to seduce a younger man, Yoshito Ohno, who seemingly smothered a live chicken between his legs. This sensational performance with its apparent portrayal of homosexuality and bestiality gave birth to a movement.

    The audience was outraged and Hijikata was expelled from the festival where the piece was performed.

    Hijikata originally called his performance style Ankoku Butoh, or “dance of darkness and gloom.” Two Japanese characters make up the word butoh : “bu” for dance, “toh” for step. It was later shortened to Butoh and drew in the work of a number of other artists.

    Butoh which was first rejected in Japan was greatly received by the western world (especially in Europe in the 70s) and finally gained a big success in Japan in the 80s.

    Nowadays Butoh is performed all over the world and is mentioned in almost every contemporary dance history record.

    Style –

    The contradictions within Butoh is partly the reason why it is so fascinating.

    It is an attempt to uncover the dance that already exists, it must emerge from within, and not be imposed.

    Butoh uses stillness and slow motion to great effect. If done well, these two combined can heighten the awareness of the dancer and their audience to the detail of movement.

    use of animal skeleton prop by a butoh dance performer
    Use of props during Butoh performance : Pinterest Image
    (https://www.taringa.net)

    Often observed as a kind of trance, it is more accurate to say the Butoh dancer is in a state of hyper-presence, aware of everything going on around them and within their own body. The fact that butoh dancers often seem ‘other’ than themselves is the result of their skills in transformation.

    Another distinct aspect of transformation in Butoh is that performers don’t necessarily use only human characters as a source. Equally ready to explore transforming into a stone or a rug the Butoh dancer attempts to embody these physical and psychic materials in their bodies.

    A partially clothed Butoh performer
    A Butoh Dancer :Pinterest Image
    (https://theartstack.com)

    Some other details of Butoh dance form :

    • No set style: In words of Hijikata “There are as many types of Butoh as there are Butoh choreographers.”
    • Encourages aesthetic features that go against the western archetypes of perfection and beauty. Its technique uses some of the traditional Japanese knowledge, like the control of energy, which translates into a rhythm and strong expressiveness.
    • Search for an individual or a collective memory.
    • Use of taboo topics like death, eroticism, sex.
    • The hallmarks of this theatre include full body paint (white or dark or gold), near or complete nudity, shaved heads and grotesque costumes.
    • Performed in extreme or absurd environments; with or without an audience.
    • Involves slow hyper-controlled motion, playful and grotesque imagery, clawed hands and feet, rolled-up eyes and mouths opened in silent screams.
    • It may also be purely conceptual with no movement at all

    Now that I am wrapping this post up with a not so brief introduction to butoh along with my interesting experience, I hope that if given a chance to see a Butoh performance, you won\’t miss it.

    Information source :

    1. Reference Link 1
    2. Reference Link 2
    3. Reference Link 3

    Image Source :

    1. Pinterest
    2. tipsy banjaran (Instagram page). The images were taken during Butoh International Festival, 2017 (Location: Mcleodganj, Himachal Pradesh, India )
    3. Featured Image: Kazuo Ohno, Butoh legend ( link to the image )
  • Two cents for solo women travelers

    Two cents for solo women travelers

    Why am I picking up the cliché?? Aren’t there enough blog posts on this already?

    Well, the answer is, yes.

    There are countless similar posts out there but something which pinched me a little in all the trips I took was the hesitation we as women have in our heads. Hence I decided to write about this hoping that the female travellers would read my experiences and decide to take a trip of their own.

    Points I have decided to mention hereafter are the ones which slowly became the foundation of my travels.

    • Trust your instincts

    Even if mentioned countless times already, nothing is truer than this simple fact.

    When you are travelling alone, instinct is your best friend.

    If you think it is just for the sake of saying or it won’t be that easy to work upon your intuition; then let me tell you, it is not true. When you are alone; away from the safety zone provided by your friends, family and not in familiar surroundings, you learn to make decisions trusting your instinct along with the obvious logic.

    Note: One very handy tip is  “Try not to arrive at odd timing to the place of your visit.”

    Trail of Dzükou Valley trek , Nagaland ,India
    Dzükou Valley , Nagaland ,India (Taken November 2017 )
    • Never hesitate to take help*

    *trust your instinct while you do so.

    Since I took public transport most of the times during my travels I can’t stress enough on its importance.

    GPS and maps are all fine but both of them can and will fail more often than you can think of.

    I would ask for directions after every short distance from shopkeepers, traffic policemen, local chai walas and dhaba owners to ensure that I was heading to the right place. For it happened to me a couple of times that the directions I got were either wrong or were partially correct, hence make sure to ask the route multiple times for the first couple of kilometres till you start getting repetitive (and possibly )correct directions.

    The information I got most of the times was pretty authentic and in addition to this, locals were happy to tell about places to eat and things to see after having a little conversation with them. By all means, it worked as a great travel guide.

    You can get a lot of information from people and all you have to do is strike a conversation. And it’s really easy, just trust your common sense who to ask questions to and you are good to go.

    an old ladakhi woman spinning the handheld prayer wheel during her prayers on a winter day in mountains of ladakh
    An elderly member of a family  who offered me home stay in Man village ,Leh, India (Taken January 2017 )
    • You are never really alone if solo

    When you travel alone for the first time, especially if you are a woman, you can pick a place that’s not too far, or is a well-known travel destination so that your first experience turns out to be a great memory. I read a post on Tripoto which said that solo travelling puts back your faith in the goodness of people and honestly speaking that it is exactly how it is. Travelling solo is a great experience, especially for women. It is liberating!

    You get to see everything with a new perspective and it will overwhelm you to find what all of us are capable of doing at an individual level.

    spectacular view of monastery situated on mountain during trail to Paro Takshtang or Tiger's Nest , Paro ,Bhutan
    Paro Takshtang or Tiger’s Nest , Paro ,Bhutan ( Taken May 2017 )
    • Travel light as a solo girl traveler in India

    Frankly speaking, this is something you will learn on your own that you need only a handful of things for your trip.

    Lighter you pack, easier it will be for you to move from one place to another.

    kid rowing away in his boat in river ganga with migratory bird flowing across
    Ganga ,Varanasi  , India (Taken December 2016 )
    • Just do it 

    Yes, exactly. Like Nike says it!

    Do not overthink. Do not let hesitation fetter your faith.

    It’s a big beautiful world out there and travelling will make you live, breathe and imbibe the timelessness of our world and of our happiness.

    So before I finish my post I will again say that solo travelling, especially for women, is a great decision. You need to take one vacation of your own to realize the difference it can bring.

    Solo travelling lets you have time for yourself, which we barely get in all the chaos that surrounds us.

    I am not saying that vacation with your friends and family are any less than solo but it is different when you pack your bag and head alone to a place. You should not miss it for anything.

    If somewhere in your heart you want to take a solo trip, I hope you do it.

    Happy travelling!!

    Fishermen rowing his boat in clear water of Umngot river ,Shnongpdeng Village near Dawki, Meghalaya, India
    Umngot river, Shnongpdeng Village near Dawki, Meghalaya, India ( Taken November 2017 )

    Content Editing: Atul Saini  (Instagram page)

    Featured image: Picture credit – raosaaab (  Instagram page ) ( Taken at  Zuluk  , Sikkim ,India )